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Get the most interesting and important stories from the Ā鶹“«Ć½.In 1993, a library science graduate student named Aisha White got a special opportunity: to introduce Fred Rogers at her Pitt commencement ceremony.Ā
In her speech she said, āWhen Fred Rogers first appeared on channel 13, I was 14, and at that age, did not hold him in awe.āĀ
āThat changed four years later,ā she continued, āwhen I became the proud single mother of a darling baby girl, who grew to love Mister Rogers. To understand the significance of my daughter's relationship with Mister Rogers, you need only multiply that one child's fascination more than 10 million times, since over 10 million children are devoted viewers of Mister Rogers every week.āĀ
That speech was the start of Whiteās long-lasting connection to the famed childrenās entertainer ā one that persisted long after his death in 2003.
Today, as director of theĀ Ā in theĀ Ā鶹“«Ć½ of Educationās Office of Child Development, White (A&S ā87, SCI ā93G, ā03G) is one of the many Pitt people whose lives and careers were touched by Rogers.Ā
āMy advisor at the time was (professor emerita) Margaret Kimmel, who worked closely with Fred. She selected me to introduce Fred,ā said White. āAnd so, onstage I talked about my daughter to make that personal connection. She loved āMister Rogersā Neighborhood.ā He was her man,ā White said with a laugh.Ā
From 1994 to 2001, White worked alongside Rogers as director of the Mister Rogersā Neighborhood Child Care Partnership, where she developed materials for child care providers to use Rogersā television program to support social-emotional development.Ā
āFredās office was about 5 feet away from mine. He had a really small, teeny little office and if I ever had any questions, I could go in and ask,ā said White.Ā
Today, White carries on Rogersā legacy by serving as a consultant on the creative team for āDaniel Tigerās Neighborhood,ā a modern-day interpretation of Mister Rogersā Neighborhood produced by Fred Rogers Productions. It stars Daniel Tiger, son of Daniel Striped Tiger from the original āNeighborhoodā series. Her Emmy Award-winning contributions to the show involve providing input on scripts and making sure the show is culturally relevant ā even advising on hairstyles for biracial characters in the show.Ā
Whiteās colleagueĀ Shannon Wanless, director of theĀ Office of Child Development, is also aĀ consultant for āDaniel Tigerās Neighborhood.āĀ
āI think every single project weāre doing at the Office of Child Development, in a way, lives and breathes the Fred Rogers legacy. We honor child development the same way he did in his work,ā said Wanless. āJust like Fred did, we are constantly checking to make sure we are being true to theory and research about children.ā
āFred wasnāt afraid to take on difficult issues, and it makes me think of our work here in the Office of Child Development,ā said White.
White and Wanless said a memorable phrase from Rogers ties toĀ the P.R.I.D.E Programās work: āWhatās mentionable is manageable.āĀ
āThe P.R.I.D.E Program in particular is really trying to help us understand how racial identity is developing in young children,ā said Wanless. āSo, by jumping in and talking with our children, weāll get them in the habit of turning to a parent when they need someone.ā
Wanless also pointed to the Office of Child Developmentās book drive calledĀ Ā which she said has a similar goal: getting picture books in the hands of adults āto help them address things that may not feel mentionable to them,ā and opening the door to address those things with their children.
White added that earning the trust of children, something Fred Rogers was able to do so well, ultimately happens when we talk to them ā making things āmentionable.āĀ
āAnother thing Fred often said is that āWe can never know whatās really going on inside a childās mind.ā And we wonāt know that unless we begin to have meaningful conversations with our children, develop trust with them and figure out ways to elicit conversation with them,ā said White.Ā
A longer historyĀ
Long before Rogersā time, conversations about media for children were happening on and around Pittās campusādating back to the late 1800s.
āOne of the many things that are special about Fred Rogers is he was interested in how we can make media actually valuable and appropriate for children,ā saidĀ Courtney Weikle-Mills,Ā director of theĀ Ā in theĀ Kenneth P. Dietrich Ā鶹“«Ć½ of Arts and SciencesāĀ Department of English. āAnd these are questions that have been asked in Pittsburgh for a long time.ā
Many of the people having those conversations, like Margaret Kimmell, Margaret Hodges and Margaret McFarland, were influential to Rogers, said Weikle-Mills.
āThat longer history that Rogers is a part of is connected to the Childrenās Literature [Certificate] Program in interesting ways,ā said Weikle-Mills, who added that Pitt started offering courses in childrenās literature as early as 1933.Ā
According to Weikle-Mills, the program was developed as an interdisciplinary one ā with the idea that people who studied childrenās literature āneeded to also understand child developmentĀ and work with folks who were working directly with children, not just people in the English department.ā
Arielle Reed (A&S ā17) is a mentee of Weikle-Mills and graduate of the Childrenās Literature Certificate Program at Pitt. She now also works for Fred Rogers Productions as a production coordinator, her ādream job,ā thanks to a connection made by Weikle-Mills andĀ , associate professor and director of graduate studies in theĀ Department of English.
Reed credits the Childrenās Literature Program for giving her the necessary skills to thrive in her role today.
āPart of what Pitt helped me with is my editorial skills ā critically evaluating literature and developing an editorial eye,ā said Reed, who spends most of her time working on āDaniel Tigerās Neighborhood.ā āSo today, I have a really honed eye for details that matter to the values of Fred Rogers Productions ā which are, ultimately, the values of Fred Rogers.ā
āHe had a lot of things to say that translate into adulthood and being a good person on this planet. This is a necessary thing in todayās climate. I think people need it,ā said Reed.
Read and view more Mister Rogers memories from Pitt people on a Ā set up by the Office of University Communications.
An abbreviatedĀ timeline of childrenās media and literature in Pittsburgh
1896:Ā Pittsburghās Carnegie Library opens one of the first childrenās reading rooms in the country.
1901:Ā Carnegie Library Childrenās Department creates Carnegie Library Ā鶹“«Ć½āĀ which ultimately becomes Pittās iĀ鶹“«Ć½, and later, the Ā鶹“«Ć½ of Computing and Information.
1930s:Ā Pitt starts offering courses in childrenās literature.
Late 1950s-1980s:Ā Fred Rogers holds weekly meetings with his Pitt mentor, Margaret McFarland.
1968:Ā āMister Rogersā Neighborhoodā premieres. Its production takes place for over three decades at WQED Studios, just blocks from Pittās campus.
1976:ĢżMargaret Hodges, graduate of the Carnegie Library Ā鶹“«Ć½ and faculty member of Pittās Ā鶹“«Ć½ of Library and Information Sciences, develops the Elizabeth Nesbitt Room, which houses a collection of archives from āMister Rogersā Neighborhood.ā
1978:Ā Margaret Kimmell, who studied under Margaret Hodges, joins the University faculty in 1978 as an associate professorĀ in the Ā鶹“«Ć½ of Information Sciencesā Department of Library and Information Sciences.Ā
1981:Ā Pittās Childrenās Literature Program is established. Kimmell is a co-founder and serves as director.
1996:Ā Kimmel, along with Mark Collins ā a creative writing instructor in the English department ā edits a collection of essays titled āMister Rogersā Neighborhood: Children, Television, and Fred Rogers.ā One of the essays included in this volume was by journalist Jeanne Marie Laskas, who would later become the director of Pittās Creative Writing Program.
2001:Ā Production ends for Mister Rogersā Neighborhood.Ā
For more information on this history, visit theĀ .